Tuesday, April 25, 2017

5 Compelling Reasons Why Huawei P10 Has The Awesomest Smartphone Camera

Huawei Malaysia has loaned me the newly launched Huawei P10 smartphone, which features their signature Leica dual camera module. Considering that I have reviewed the dual camera setup performance for the previous iterations, Huawei P9 and Huawei Mate 9 smartphones, and the fact that the new Huawei P10 uses similar setup (with some improvements of course), I shall not be doing a redundant full camera review here. Instead, I decided to spend a full day out shooting with the Huawei P10, exploring the features of the camera on the smartphone and came home with a collection of interesting images. After all, the purpose of a camera (any camera at all) is to shoot images, and from the images and my limited experience with the P10, I shall share with you why I think this P10 has an awesome camera.

Kindly take note that I do not have any further relationship with Huawei, other than being loaned the phone to do basically whatever I wanted to do with it. I am a photographer enthusiast and I shall be writing from a photographer's point of view, using a smartphone camera. I will not be discussing the technical aspects of the smartphone (the processor, RAM, battery life, screen, operating system, etc), and my focus is purely on the camera capabilities of the Huawei P10. I am sure you can find such information in many larger tech related sites and blogs out there.

I simply love the full black version of the Huawei P10. The design is beautifully modern yet subtly matching my other gadgets and items I am carrying around with me. 

Much like the predecessor P9 and Mate 9, the Huawei P10 has a dual camera setup, a 12MP full color sensor and a 20MP monochrome (black and white) sensor, with 27mm equivalent wide angle lens at F2.2 on each of the image sensor. The Huawei P10 carries the Leica branding for the lens, and boasts the image processing rendering Leica-like color profile, and of course the famous Leica monochrome black and white quality. Having a dual camera setup also has a few benefits, offering better structure and refined resolution, and a more realistic looking "wide aperture effect" with beautiful bokeh effect. 

I have written lengthily about the dual camera setup, the monochrome sensor and I have tested the predecessors Huawei P9 and Huawei Mate 9 Pro extensively. You may refer to the following links for further reading:







There are may capable smartphones with high quality camera these days, and different manufacturers are offering different set of performance and features, competing against each other in a fierce market situation. To me, it is silly to just look purely at specifications alone and call out the camera's performance based on the technical sheet. A camera, whether a proper, full camera system, or a smartphone camera will require a lot more than just looking at the megapixels or other imaging parameters. An experienced photographer will tell you that there is no one best camera, but only the one camera that suits you best and works for your photography needs. Now here is the issue, most smartphone users are not photographers, or not photography-trained, thus they do not actually know what they want to do in terms of photography and just hope for the best. 

At the end of the day, I do not really think there is a bad choice when it comes to camera or smartphones, but it is entirely up to you to make the best out of what you have. The best camera is the camera that you have with you, since we carry our smartphones with us all the time, this has got to be something reliable, and produces decent enough quality. To be entirely honest, I will tell you that I have not tried that many other alternatives: the iPhones, the Samsung S8, or any other rival offerings in the market. I cannot tell you whether this or that phone is better, that is not the point of this article, and such comparisons will see no end and achieve no meaning. What intend to do in this blog article, is to show you what a smartphone can do, in the hands of a photography enthusiast. 

Here are my five reasons why I think the Huawei P10's camera is awesome:

1) WIDE APERTURE EFFECT

Let ms be blatant about this, the wide aperture effect is nothing more than mere "bokeh simulation". In a layman's way of explanation, that simply means, artificial blurring done by the smartphone's post-capture editing to create the shallow depth of field effect, you know, the desirable blur background effect that many people spend thousands of dollars on DSLR for. 

While I do admit that the wide aperture effect is still nowhere as good as the real deal, using an actual large image sensor based camera with true large aperture lens (for example, Olympus OM-D camera and a 75mm F1.8 lens), in situations that it works, the wide aperture mode on Huawei P10 works really well. In fact, in all my encounters with any other "fake bokeh" simulations by any other phones out there, Huawei has the most convincing bokeh effect. Having the ability to create shallow depth of field can be useful in situations when you need to isolate your subject from a messy background. 

Wide Aperture Effect
1/50sec, ISO125, simulated F3.5

Wide Aperture Effect (In Monochrome mode)
1/50sec, ISO250, simulated F0.95

Wide Aperture Effect (In Monochrome Mode)
1/20sec, ISO640, simulated F2

Wide Aperture Mode
1/33, ISO320, simulated F2

Wide Aperture Mode
1/24sec, ISO500, simulated F4


And the best part is, you can have the simulation done live as you are composing your image. 



2) REAL MONOCHROME SENSOR

One of the camera modules is actually a full black and white camera, using a monochrome 20MP image sensor. The logic behind having a full monochrome sensor is quite straightforward, by removing the traditional colour filters in a typical RGB image sensor, the light will hit the image sensor at full spectrum, unfiltered, allowing the image sensor to collect full information with minimal losses. This translates to images in black and white which display greater sharpness, depth and clarity, hence the claimed superiority of utilizing a full monochrome sensor.

Leica is known for their Leica M Monochrom, which also has full black and white sensor, and having a smartphone that utilizes a similar technology is a great news for black and white shooters. If you do a lot of black and white work, especially if you are a street photographer, the Huawei P10 renders black and white images expressively well, maintaining high level of clarity and graceful gradations when it comes to transitions from shadows to highlights. If you have not explored the world of black and white photography, Huawei P10 will be a good reason to start, and I guarantee you will be hooked to the Monochrome mode instantly. 

Monochrome Mode
1/25sec, ISO500

Monochrome Mode
1/345sec, ISO160

Monochrome Mode
1/60sec, ISO125

Monochrome Mode
1/100sec, ISO80


3) EXCELLENT STRAIGHT OUT OF CAMERA IMAGES

Image processing is a tricky business, and not even the camera manufacturers can get this right all the time. Most cameras have mediocre JPEG processing that leaves the photographers not much choice but to shoot their photographs in RAW and painstakingly spend awful load of time post-processing the RAW files to achieve what they want that the camera default processing could not deliver. This problem is also rampant in smartphone cameras mostly, with obvious problems of over-aggressive noise reduction, smearing of fine details, and fake over-sharpening on the images. Furthermore, white balance and color rendering are also huge concerns. 

I found the images taken with Huawei P10 to be usable right out of the camera, without much tweaking needed. The white balance is usually spot on, with a tendency toward the warmer side, which is not a big issue. The overall color reproduction is realistic and pleasing, but a tad punchy and high in saturation, which is a norm for consumer-pleasing purposes (most people prefer fake, super vivid images instead of natural, muted and pale looking images). I do think that the sharpness is a little on the high side but that can be toned down (in the settings). 

The most important thing to me, when I take a photograph with a camera (even with a smartphone), and I look at the image, I ask myself, does this image look good? This is a huge, resounding yes for Huawei P10. Having great straight out of camera images is extremely important to me, trust me you do not want to spend too much time retouching your images, you should be spending time being out there enjoying yourself shooting. 

Auto Mode
1/100sec, ISO160

Auto Mode
1/50sec, ISO125

Auto Mode
1/500sec, ISO50


Auto Mode
1/120sec, ISO64

Wide Aperture Mode
1/50sec, ISO250, simulated F7.1

Auto Mode
1/30sec, ISO200

Auto Mode
1/25sec, ISO250

Auto Mode
1/60sec, ISO50

4) VERSATILE PROFESSIONAL MODE

If you are a photographer who cares about getting the most out of the camera, you will surely want to tinker with a setting or two when shooting. I have seen many poorly implemented manual controls in high end smartphones, making important settings difficult to reach or set during the shoot. 

Huawei P10 has the Pro mode that unlocks the professional imaging features and settings. In the Pro mode, you can have full control of imaging parameters such as metering, shutter speed, ISO and white balance. You can even do manual focus if you want to. Also, shooting in RAW is available which is important when dealing with scenes with uneven lighting condition, that only extensive post-processing can save later. I like how all the important settings are lined up, just above (or next to, depending on your shooting orientation) the capture button. All these settings are just within a tap or two, without the need to dive deep into the menu. The quicker I can access the settings I want to adjust the faster I can capture my shot. 

Why is the Professional mode so important? You know how people complain about terrible, full of grain looking image in low light condition? Then use a tripod and force the ISO setting to as low as possible, and the issue of high ISO noise is prevented. That kid is running too fast and you shot a blurry mess? Then crank up the shutter speed and make sure that it is fast enough to freeze the motion! There is just so much more beyond what the Automatic mode can do, and if you want to take your smartphone photography to the next level, I suggest you start paying attention to the Pro mode!

PRO Mode turned on, making all the important settings accessible within a tap or two. 

PRO mode
forced at ISO500 to get adequate shutter speed, yet still having a clean image. Things could get ugly if left at default ISO of 800 or higher. 


PRO Mode
Manual Focus was done in this shot, to achieve the pin point accurate macro focus. take note that this was not shot in wide aperture mode, the bokeh in this shot is real. 

PRO Mode
Forced ISO to 100 to maximize the dynamic range captured, and image was shot in RAW, and post processed to taste to bring out a well balanced, and vivid looking result. 


5) THE FUN FACTOR

This is often the underestimated, but the most crucial factor when it comes to using any camera. 

You may have a camera with the highest megapixel count, having the fastest burst rate, highly capable in handling low light shooting, and looks just right on paper specifications. However, it does not have the warm inviting charm to nudge you to pick it up. It does not get you all hand itchy and wanting to shoot more images. What is the point of having the best camera if you do not even feel like using it? 

The question I urge you to ask yourself, are you having fun with your smartphone camera? If not, can you identify what the reasons are? I can almost guarantee it has nothing to do with megapixels or low light shooting or autofocus, or anything technical. It just does not give you the positive vibe. It just does not feel right, using a smartphone to shoot. 

The point of photography, for most photography enthusiasts (I am not speaking about professional photographers of course), is having fun. The fun is in the process of creating images. Choose the camera that has soul. Choose the camera that gets you, and gives you the itch to keep on shooting. Choose the camera that makes you want to go out and have an adventure. The Huawei P10 does all that! 

Wide Aperture Effect
By using the bokeh simulation, it added plenty of depth and dimension into an otherwise flat and uninteresting looking image. 

Auto Mode
The default color profile on the Huawei P10 is already so good that I rarely found myself the need to tinker further with the image colors. 

Monochrome Mode, and Wide Aperture Mode

Monochrome Mode

Wide Aperture Mode

I shall still have the Huawei P10 with me for a little white before I return it to Huawei Malaysia. Do let me know what you want to see me do with the P10. For sure, there will be a few more shutter therapy sessions with the P10, and I look forward to the next one already!

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Monday, April 17, 2017

Short Adventure in Pudu

It was a lazy Sunday that I kicked myself out of bed because I knew I needed to satisfy the itch of my fingers for some shutter action. I loaded the Olympus OM-D E-M10 Mark II into the bag along with some small prime lenses, the M.Zuiko 25mm F1.8, 45mm F1.8, and of course the newest addition the Panasonic 14mm F2.5 pancake lens. I did not exactly have anything planned out in mind, no specific objectives, but I knew if I went out even just for a short stroll I will come across some interesting moments and subjects on the street that will be worth shooting. The trick is just to get out and start observing, the photography opportunities will manifest. After all, it was a Sunday, so I was keeping things slow for the day.

I finally ended up at Pudu wet market, but explored the streets around the main market. It did not took long for interesting moments to appear. Lighting was glorious for the morning, intense directional sun light, and the sky was clear, creating bold and high in contrast image output. I think it was an hour and a half quick walk, I have gathered some images, and I thought I should call it a day. Solo photowalks are always faster and more efficient, as I got to go to the locations that I wanted and less waiting around.

Portrait of a Stranger 
Saw this dude waiting outside the staircase entrance and thought the bold red shirt he was wearing matched the blue painted walls on the back nicely. He was friendly too and we had a little chat. 

Tuesday, April 11, 2017

The Lazy Weekend

It has been a terribly long week, so when the weekend came, I decided to take it slow this time. There were a few errands to run and important events to go to, but I basically let the weekend drift and made sure I had plenty of rest. Went to several locations to get some shots that I have had in mind, and I treated myself to some good coffee and comfort food. We deserve to pamper ourselves once in a while.

The thought of making a photobook has always been at the back of my mind. This was an experimental print I did for a compilation of of my street photography shots. I still want to produce the photobooks and make it available for sale but I think the biggest challenge is to make it affordable or at the price point that everyone agrees with. By keeping the price down, I do need to restrict the number of photos in the book and also compromising print quality. This photobook idea will be shelved for this moment. 

Wednesday, April 05, 2017

Revisiting Panasonic Lumix 14mm F2.5 Pancake lens

Recently I have re-acquired the often underrated Panasonic 14mm F2.5 pancake lens, and naturally it became the most frequently used lens for my latest shutter therapy session. I brought along the Panasonic 14mm F2.5 pancake lens alongside Olympus M.Zuiko  45mm F1.8 to Chow Kit, which was my favourite street hunting ground for a much needed street photography session last Saturday. I had Van, Robert and Sim joining me for this session.

I genuinely love pancake lenses, and I think Olympus and Panasonic should produce more pancake lenses. We already have compact and superbly sharp F1.8 lenses, why not create pancake lenses of respective focal lengths, but instead of F1.8, make them F2.8? I can totally imagine having 25mm F2.8 and 45mm F2.8, and perhaps a 12mm F3.5 (since it is more difficult to do a pancake design for wide angle lenses) but keeping everything in slim, pancake design. Yes, F2.8 means we are losing some light or having more depth of field but imaging the lens being so slim and compact! I can live with the aperture brightness compromise, as long as the image quality is still decently sharp and technically well controlled. Give us more pancake lenses, make them ultra portable, and most importantly, reasonably priced (oh make them cheap that we do not even have to think twice to buy).

I am falling in love again with the Panasonic 14mm F2.5 lens. I simply love the 28mm focal length (equivalent) perspective, which is rather wide and produces different coverage than what I normally do with 25mm F1.8 and 45mm F1.8 lens.

All images were taken with Olympus OM-D E-M10 Mark II with mostly Panasonic 14mm F2.8 and a few shots with M.Zuiko 45mm F1.8

Oh yes, I test printed a photo-book, just to see how the print quality is. Was also toying with the idea of making a photobook for sale to my blog readers. This idea will have to remain an idea for the time being. 

Sunday, April 02, 2017

KL Tower Series: Doing Similar Shots Differently

I have often been asked, why do I walk along the similar shooting routes on the street since I have been there so many times everything would look the same and I will obtain similar photography output?

My answer to the above question:

1) I have not shot the "best" photograph yet. In fact, every single time I walk on the same location, shooting the same subjects and scenes, I am getting better, even if the incremental improvement is so marginally small. Over time, I can see my growth.

2) Different time, different moments. It is nearly impossible for the same moment to repeat itself again, but we can always hope and anticipate new and perhaps more interesting moments to happen, if we put ourselves out there enough to be ready to capture them.

3) Different vision, and different way of seeing things. Every time I go out I try to put on a fresh perspective, I always asked myself - if I have done this before, how can I do this differently this time, and certainly, how can I make this shot better? Perhaps, a use of different focal length, shifting shooting position, or more dramatic composition choices? The possibilities of producing different outcomes of the similar subject or scene are endless.

For example, the prominent Kuala Lumpur Tower (as well as the even more popular KLCC Twin Towers) has been shot like a billion times over by locals and tourists, why would anyone bother to add to the internet junk collection? Surely there would be no way anyone can outdo anyone else, and should not we consider doing something more original, less popularly photographed, to stay ahead in the game?

Then my sincere advice, is that there is no game. Because there is no finishing line when it comes to photography, and it is ok to shoot what everyone else is shooting. You just have to tell yourself that you can create your own photographs based on your own vision.

So here, I present to you, the collection of KL Tower shots that I have accumulated, with different point of view, composition, and ideas behind the shots.


Since the KL Tower is a prominent landmark, it is a great backdrop for street subjects. Here I was emphasizing on the pigeons in flight, but utilized the KL tower to establish the sense of location of this image. 

Thursday, March 30, 2017

Bihzhu Live At Bobo KL

I have been quite active lately with a selective group of local singer-songwriters in Kuala Lumpur, following their gigs and live performance whenever I can. I brought along my faithful Olympus OM-D E-M10 Mark II to shoot some stills as well as record footage of the stage performance. What better way to end a stressful day (or week) by immersing myself in good quality, locally made music while having my camera itch scratched away at the same time.

I was at Bihzhu's live performance at Bobo KL last Saturday, and it was a full house! Such intimate performance spanning about 2 hours long of great music and soulful, powerful and melodramatic vocals was exactly the best way to cap off my Saturday. I had a half day Olympus Street Photowalk which I led in the morning, and an afternoon appointment with friends that drained me off, so in the evening it was nice to just sit back and relax to some really awesome music!

Shooting condition was not ideal, typical low light stage situation but the E-M10 Mark II handled this session gracefully. I had to shoot between ISO1600 to 3200 to maintain fast enough shutter speed (at F1.8) but surely this was nothing that the OM-D can't handle. Original stage lighting had too much warmth with a strong hint of greenish color cast. The auto white balance did a splendid job to automatically balance the stray colors to produce realistic and pleasing skin color. I believe Bihzhu's lovely dress being dominantly white helped in producing natural looking white balance.

The biggest challenge for me, if I were to really put some effort in getting my shots, would be being stuck in one stationary position, since the venue of show was not large, and the audience filled it to the brim. No matter where I moved myself, I would have accidentally blocked someone's view, and that would have been rude. I decided not to be an annoyance and just stayed seated at one spot, moving to a second location only after the intermission.Where you are standing and shooting from is probably one of the most important factor to determine the outcome of composition and coverage, and this was something I lacked from this particular session. Furthermore, being stuck in one spot prevented me from shooting every member of the band, something which I always tried to do.

I think the life-saver of the night, being stuck in a full house event, seated not too near to the main stage, was having both the 45mm F1.8 and 75mm F1.8 lenses. To those of you shooting a lot of stage events, these two lenses can make a world of difference. Tighter perspective can draw the facial expression and emotion conveyed by the performer much closer and this produces a more impactful outcome. Also, the F1.8 wide open aperture aids in gathering as much light as possible, especially in less than ideal lighting conditions. The fact that Olympus M.Zuiko lenses are already so sharp even at wide open F1.8 means I can shoot everything wide open without the need to stop the aperture down. All images in this post were taken at F1.8, and I have not wished they were any better in any way.

I was focusing on getting the right moment (critical expressions, etc) but the more I listened to Bihzhu's enchanting voice the more I realized shooting was not really that important after all. I was enjoying myself and that was all that mattered. Sometimes we get too engrossed with photography that we live our entire lives through the viewfinder, it is good to just put down the camera and take in the moment. This is so true when it comes to music and live shows.

All images were taken with Olympus OM-D E-M10 Mark II and M.Zuiko lenses 45mm F1.8 and 75mm F1.8

I have also recorded some video, and this was a cover of Dirty Projectors, "Stillness Is The Move".


Check out Bihzhu at:
Official Website: http://www.bihzhu.com/

Every time I recorded a video I am always stunned by how good the 5-Axis  image stabilization is, and the convenience of not having to use a tripod. Imagine, I was attending an event and every one was seated comfortably in a tightly crowded space, a set up of a tripod would have stuck out like a sore thumb! Some may argue that the video on OM-D (older then E-M1 Mark II) has nothing to write home about, I beg to disagree. If you are a cinematographer, a professional videographer, then you can decide what you want. All I wanted was a high quality recording of my favourite singer-songwriter in action and I believe the E-M10 Mark II did a splendid job, despite my lack of skills in video recording. 


Tuesday, March 21, 2017

The Birds That Fly

I have been looking back at my own collection of photographs lately and discovered a consistent subject which I have been actively hunting. No, it was not the cats on the streets, I have talked about my love for street cats and how they always become the center of my street shooting attention in my previous blog article here (click). Unexpectedly, I have been shooting birds, almost as much as I was shooting cats on the streets.

A while ago, a good friend of mine questioned the "zoo animal" photographs being unrealistically fake and uninspiring, not only because the animals were caged, but the close up shots of the animals do not portray what they instinctively do in the free, wild world. A free bird will not just perch on a branch for the whole day, the bird will spread the wings and fly, and a shot of the bird doing that is a lot more dramatic and real. Another friend of mine, who is a visual artist and a prominent local comic blogger has shared that he drew birds in his sketches and comics as a symbolism of freedom. Perhaps, these important people have influenced my thoughts and inspired me to take a closer look whenever there were birds flying by near my street hunting grounds.

I fully understand that not all the images taken at my street photography sessions are actually street photography, but lets bring that to a different discussion on another blog entry. Including a flying bird in a shot of a local landmark adds a different mood to that framing altogether. I think there is always a human fascination of a flying subject, and men always wish they can fly (I wonder why we were not given wings). Also, if you look at some of the amazing street photography by other established photographers, birds can be quite popular too in their work.

All the images shown here are compiled from my shutter therapy session for the past one year or more. I thought placing all of them together can form an interesting montage, creating a consistent visual story.


Thursday, March 16, 2017

Kuching Street Photography Again!

So I was traveling home again last weekend, this time for the official launch of my first ever photo exhibition, the Street of Kuching, a collective of Kuching street photographers. I chose to stay on for a few days after the launch, just to have some time to catch up with beloved mum, relatives, and some beautiful friends. Surely, I slotted a bit of time for street shooting! Nothing beats shutter therapy in my lovely, awesome hometown, and I had two mornings all to myself to roam the streets of Kuching freely, shooting whatever I wanted. The first session I went alone, and the second one I was joined by Jee Foong, a talented photographer friend.

Special thanks to Jee, who took time and effort to show me around, and revealed some secret locations which I never would have known! It is interesting finding out new locations to shoot, even when I was talking through the same streets. Although I was back in Kuching some time late last year (to shoot for images for the photo exhibition), strangely even in such short amount of time, there were noticeable changes around town. There were a few more street arts decorating the walls of old shops and that observation tower of the Open Air Market was painted white! The last time I was back I remembered it was yellow.

I armed myself with my own Olympus OM-D E-M10 Mark II with Panasonic 14mm F2.5 (yes the pancake lens is making a return), M.Zuiko 25mm F1.8 and 45mm F`1.8. I used mostly the M.Zuiko 25mm f1.8 this time.

The observatory tower standing from the Open Air Market is now white! I think I prefer it looking white now, compared to the previous yellow, which was a little out of place. Though I cannot say how long it will remain white, considering the constant rain and humid weather in Kuching. Anything white spells disaster when it comes to maintenance. Lets hope we do not have to wait too long before this is being repainted again. 

Friday, March 10, 2017

The Cheap Alternative For Macro Photography, Raynox DCR-250

Not too long ago, I have purchased a Raynox DCR-250 macro adapter to be used on the Panasonic Lumix LX-100, which gave satisfactory macro shooting results. I have since then been curious to try the Raynox adapter on an Olympus lens, and only recently found some time to do this experimentation. The fun part about macro photography is the infinite possible options of using alternatives to achieve sufficient magnification as well as creative lighting techniques. This time, I fitted the Raynox DCR-250 macro adapter onto the M.Zuiko 75mm F1.8 lens, and did my usual insect macro shooting with that combination.

The macro adapter itself, Raynox DCR-250

My humble, simple insect macro photography setup, Olympus OM-D E-M10 Mark II, 75mm F1.8 lens with the Raynox DCR-250 macro adapter, FL-50R external flash used wirelessly with Gamilight mini softbox diffuser. 

Tuesday, March 07, 2017

My First Photo Exhibition!

I think it is every photographer's goal to have their photographs displayed in a public exhibition, and doing one has been at the back of my mind for a while. I know that my blog here is an actual public space where anyone from anywhere in the world can come freely and view my photography work, but an actual photography exhibition in print is an entirely different thing altogether. I finally had a chance to join a collective of street photographers and helped to create the first ever street photography exhibition in my own lovely hometown, Kuching (in Borneo).

My beloved hometown, Kuching, Sarawak, which was located at the Northern part of Borneo Island. 



Monday, February 27, 2017

Shooting ALYA WTA Malaysian Open 2017 With Olympus OM-D E-M10 Mark II and M.Zuiko 40-150mm F2.8 PRO Lens

It was a working Saturday for me, with a basic photography workshop conducted by me (if there is any chance the attendee of that workshop is visiting this page, thanks, and welcome!) and I was attending a friend's wedding in the evening, and that effectively left me only Sunday for shutter therapy. I wanted to do something differently, and Van suggested that we shoot an on-going ALYA WTA Malaysian Open at TPC, Kuala Lumpur, which was an official WTA tennis tournament. Being a tennis fan myself, and having the possibilities to try out my own Olympus OM-D E-M10 Mark II for sports shooting, I thought why not?

The gear on the table

Surely, it was a Sunday, so the gang met up and took it slow, starting with overpriced coffee and filling our stomachs with good food, before we went under the gruesome grilling Malaysia sun for the rest of the afternoon. We went to a nice cafe, The Good Batch suggested by Robert and we had our brunch there, which was not too far from where the tennis tournament was. I had poached eggs and slices of salmon with some fancy dressing and like all ordinary Asians we spent way too much time photographing our food before we ate them.

Monday, February 20, 2017

A Brief Encounter With Panasonic Leica 15mm F1.7

Shaun was visiting Kuala Lumpur again last weekend, and he brought with him the Panasonic Leica 15mm F1.7 which he claimed to be his favourite lens at this moment for Micro Four Thirds. Another photography friend, Bjorn has also spoken very highly of this lens. I thought, why not give this lens a go and see what I can shoot with it?

I am not sure why Panasonic likes to create lenses with really unusual focal lengths. 15mm, which in 35mm equivalent format is 30mm, is quite an irregular number, and it would have made much more sense if they just have a standard 14mm (classic 28mm equivalent) lens! Since the closest, "popular" focal length is 28mm equivalent, I shall use the lens as if I was composing with a wide angle, 28mm equivalent perspective. Oh dear, wide angle has never been my first choice when it comes to street photography, and I almost always use longer focal lengths, unless absolutely necessary.

This is not a review of the lens, I will need a lot more time to use the lens before I can write a full review. Using the lens for a few hours was not sufficient for me to form a meaningful conclusion. Also, there are already several reliable reviews available for this Panasonic 15mm F1.7 lens. I will also avoid doing any comparisons with any existing lenses from any brand, the last time I did this I suffered through unnecessary bashing, though I was being completely honest. I have figured out that sometimes people just want to hear what they want to hear, so I am shying away from comparison tests and just focus on creating photographs.

The Panasonic Leica 15mm F1.7 fits the E-M10 Mark II perfectly. 

Monday, February 13, 2017

Adventures in Hokkaido With Olympus OM-D E-M1 Mark II

Edit: I have included more food photographs, just for you, Jason. 

I recently have visited Hokkaido, Japan in an officially organized trip by Olympus. There were rounds of sight-seeing and doing touristy activities, and I had the opportunity to bring with me an Olympus OM-D E-M1 Mark II with several PRO lenses to use throughout the trip. We did not have a lot of time, and most of the trip was already planned out, so I was merely tagging along. As a result, most of my images taken were nothing more than snapshots that any ordinary visiting tourists would have taken, in the eyes of a foreigner visiting an alien land.

The experience was quite surreal, it was my first time seeing so much snow, and being in a place with almost -10 degrees Celcius was both fun and painful in some ways. I have always loved the cold but the trouble to go through, putting on layers and layers of cloths, wearing proper walking boots as well as using gloves, seriously no joy in those. And operating a camera, shooting through the gloves was so difficult!

I did have one final day in Shinjuku, which I had some brief time to myself to explore on my own. I have decided to merge the images from Shinjuku together with Hokkaido series, since I did not have enough images to create a Shinjuku series on its own.

All images were taken with Olympus OM-D E-M1 Mark II and M.Zuiko lenses 7-14mm F2.8 PRO, 25mm F1.2 PRO, 45mm F1.8 and 40-150mm F2.8 PRO

The Sapporo TV Tower, with an observation deck at the top. Of course, like any other tourists I went up and had a high viewpoint of Sapporo's beautiful city from up there.  

Japanese cities are so beautiful, many of them are surrounded by high mountains. 

Naked tree branches, in winter. I know some of you are bored of this sight, but to me, this is something quite unusual and never seen in Malaysia. 

Sunday, February 05, 2017

The Panasonic LX100 Is Not A Bad Street Shooting Machine

So I have had the Panasonic LX100 for a while now, despite some shortcomings and my complains of a few key missing features, it is starting to grow on me and I am getting more and more shots that I really like shooting with LX100. It is surely not the love at first sight, this camera takes time to learn and understand, surely takes much longer time to love.

Yesterday, I did a quick catch up session with dear friend and fellow Micro Four Thirds shooter from Melbourne, Australia, Ananda who was home for Chinese New Year holidays. We decided to go to Pudu Wet Market, and it has been a while since my last visit there. Initially I wanted to shoot Pudu with just the new Huawei Mate 9 Pro that I have loaned from Huawei Malaysia (you know, do as much as you can with it before return) but I realized one of the favourite things I want to do in Pudu is portraits of strangers. Therefore, having a versatile zoom lens is crucial to deal with the messy background of a wet market.

I guess I still do have to complain about a few things. While I can now live with the poor JPEG rendering of LX100, and perfectly comfortable post-processing the RAW files, I still cannot let go the issues of the poor image stabilization and not having tilt-screen on the camera. There were a few moments I was shooting at dangerously slow shutter speed, without realizing, because you know, shooting at wide angle with any Olympus cameras at about 1/5 to 1/10 second shutter speed is almost 100% guaranteed to be free of hand/camera shake. That is not the case with the LX100, even at 1/15 seconds, shooting at wide angle, there is about 50% of a chance of camera shake! It is not a huge shake, it is bad enough for the image to look soft, annoyingly soft. The only solution is to increase the ISO sensitivity, which is not an issue since LX100 can handle up to ISO1600 with no serious issues.

I miss the tilt screen so much, I find myself having difficulty doing compositions at low and high angles, and these are IMPORTANT compositions to get the perspective that I want. I seriously also wonder why Fuji did not add tilt screen for their latest X100F camera. I believe tilt screen, or swivel screen is a MUST have feature in all modern cameras.

Morning Karaoke

Wednesday, February 01, 2017

I Recorded Myself Doing Shutter Therapy In Video! Check It out!

Following up my recent camera review of the Huawei Mate 9 Pro smartphone I did few days ago, I have made a video of myself doing shutter therapy in KL streets. The video screenshot feature was particularly useful, so I could capture in video what the camera was seeing!




Monday, January 30, 2017

Huawei Mate 9 Pro Review From A Photographer's Perspective

UPDATE: I have recorded myself using the Huawei Mate 9 Pro for street shooting in a video! You may check out the video here (click). 

Huawei has launched their new flagship smartphone series, Huawei Mate 9 and Mate 9 Pro just last month. I was approached by Huawei Malaysia with a loaned unit of Huawei Mate 9 Pro for review purposes. The reason I am excited to try this phone out is the Leica involvement with the development of the camera module of the Huawei Mate 9, which is the second collaboration effort since the Huawei P9 (I have reviewed here and here).

I am not a tech junkie, and I am sure at this time of writing, there are dozens of tech-oriented reviews focusing on the smartphone aspects of Mate 9 Pro published on the net, everywhere in the world, offering in depth look and informative opinions. Therefore, there is no reason for me to add another review of a smartphone, which I believe that most of these sites have done a wonderful job reporting. On the other hand, as I have done a quick online research specifically for the camera review of Huawei Mate 9, not much information came up. The most extensive review I have come across was a video review done by Pocketnow focusing on just the camera on the phone, which I thought was exceptionally well done. As a photo-enthusiast who is obsessed with image quality, camera performance and creating beautiful looking images as a hobby, I shall take a good look particularly at the Huawei Mate 9 Pro's camera imaging capabilities in this blog review. 

The Huawei Mate 9 Pro loaned to me from Huawei Malaysia was a Champagne Gold edition. The shiny exterior was a breath of fresh air, since most of my gadgets and photography gear are in monotonous black color theme. 

Tuesday, January 17, 2017

5 Reasons Why You Need Image Stabilization

Oh dear, so much for a fresh start of a New Year, I have not been updating this blog as frequently as I initially have planned. I did however get plenty of chance to shoot, so I do have fresh images to share, and plenty of ideas to talk about here. Nonetheless, lately there are many things I do need to take care of in real life which negated much of my free time to just sit down and compose a proper blog entry. Even now, a Sunday (at the time of writing), I am currently at a cafe an hour earlier, hoping to squeeze in some time to write before a local favourite band performance starts here.

Right, lets get into the topic, image stabilization.

When it comes to purchasing a new camera, some of the prioritized considerations include the image sensor performance, image quality output (resolution, high ISO, dynamic range, etc), autofocus performance, but not many people will tell you to take a good look at the image stabilization. Some photographers would boldly claim that image stabilization is not a crucial necessity, and for serious photography that requires absolutely steady camera setup, tripods are used instead. However, it has been a long while since image stablization was introduced to consumer photography market, and Olympus has come a long way since the introduction of 5-Axis Image Stabilization in the OM-D E-M5 in 2012. Much improvements have been made, some photographers who have experienced what the image stabibilization offers, never looked back.

Therefore, in this particular blog entry, I want to explore the necessity of a powerful image stabilization system, how relevant is it for non-professional, casual photographers (because, well, I am not a pro photographer myself, just a hobbyst like 95% of other photographers out there) and what you can do maximizing the potential of the image stabilization.

All images were taken with Olympus OM-D E-M1 Mark II with M.Zuiko 12-100mm F4 IS PRO lens. All images were taken hand-held. 


This image was taken hand-held, at 1.3 seconds to achieve the smooth water effect.